Showing posts with label #motherearth. Show all posts
Showing posts with label #motherearth. Show all posts

Monday, March 20, 2023

Post what you thought of the #PapalotlProject

This spring marks the one year anniversary of a pilot project to reach the youngest and oldest of our communities with opportunities to share knowledge through art, science, music and agriculture. 


#PapalotlProject at Miramar Community Services
by Adrienne Chadwick (c) 2022

If you are or have recently attended a #PapalotlProject event, please take a moment to help measure our impact with your insights on seven short questions. If you are already signed into gmail, click the link below to complete the form online. Remember to hit "submit" at the end. If not, click here to complete. If you have any issues or need an alternative format, call or text your email address to 786-671-8272. #PapalotlProject Qs no gmail required. You can also have a friend or family member complete the form with you by scanning this code with a smartphone camera then clicking on "open in browser."


Your feedback is important to us and will be incorporated as we plan for the future.

Thank you!!


Funding for this project is provided in part by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council. Sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture. Support has also been provided by the following funds at the Community Foundation of Broward: Helen and Frank Stoykov Charitable Endowment Fund, Louise and Rudi Dill Charitable Fund, Mary and Alex MacKenzie Community Impact Fund. 




Sunday, November 13, 2022

Digital works by Tara Chadwick featured in Wynwood this month during Miami Art Week

For immediate release:

After a strong year of global showings including LA, Rome, Venice, Zurich and London, artist and curator Tara Chadwick welcomes the return of "Matriarch" to its original digital format at the Artbox Expo Miami later this month. 

While navigating the social changes predicated by the COVID pandemic, Ms. Chadwick adapted her lifelong art and urban farming practice to focus on symbolic messaging, inspiring global audiences to take notice of and act on our need to repair our relationships with the earth and each other. Matriarch manifests our ability to take the time we need to observe, understand, grieve, heal, emerge, awaken and take flight toward our life purpose. In doing so we are better able to forgive, accept, make amends or reconcile discord and wounds of the past and present, and move into the future with strength, experience and dignity.

Matriarch along with "Chrysalis" and "Emergence" will be on view at 219 NW 23rd St, Miami, FL 33127, USA from November 28 through December 10th. The Art party/ reception is scheduled for 3-7 pm on Saturday, December 3rd. Tickets are required for entry and can be booked at: 


Each print is available for custom order in a limited edition of 25. 


Contact: 
wabigun@yahoo.com or 786-671-8272

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Friday, May 6, 2022

Venice Experimental Performance Reportage

May 6, 3022
Fort Lauderdale, FL

Amid the flurry of opening day at the long awaited Biennale de Venezia, Tara Chadwick, an Indigenous Belizean/ Canadian based in Broward County, Florida presented a short film honoring her lifelong artistic practice in dance and nature immersion. 


Still image from "Earth • Ecology • Everglades" courtesy Adrienne Chadwick

"Earth • Ecology • Everglades" grew out of a project to provide residents and visitors with a taste of the rhythms, sights, smells and sounds found in the intersection of humans and the natural environment. Funded in part by a grant from the Florida Department of State, Division of Arts and Culture and the Broward Cultural Division, Proyecto Papalotl has engaged communities across and beyond South Florida in interactive presentations since 2014. During the beginning of the COVID pandemic, alternate ways of connecting with community were explored including utilization of different forms of artistic expression: livestreaming, digital recording, audio, film and still  images. The short film is accompanied by a National Geograhic certified intergenerational lesson plan with the same title. More about last month's Venice Experimental Performing Arts Festival can be found at https://www.itsliquid.com/review-experimental-venice-2022.html 

[Image of Earth • Ecology • Everglades on view at Palazzo Bembo courtesy of Its Liquid Group]

Currently Tara Chadwick has two additional works on view in Venice, both of which expand on the theme of exploring the unfurling of our identity, purpose and responsibility as humans living in an Earth  ecosystem that we are rapidly changing. #Matriarch will open at Palazzo Albrizzi-Capello on Thursday, May 12 as part of "Anima Mundi CONSCIOUSNESS" and is also on view as a digital lightbox work at Spazio Tana / Tanarte, just across the canal from the Biennial's Arsenale through May 31. Limited edition prints available.


#Matriarch made her debut in Fort Myers last October, then hung as a public art billboard over 27th Avenue during Art Miami Week/ Art Basel from November through January.



Broward County residents and visitors can join Tara Chadwick for an interactive workshop in collaboration with the Miramar Community Garden on Saturday May 14th at 10 am. 


Sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture. Funding for this project is provided in part by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council. Background mural courtesy of Valery Amor, Tara Chadwick, Mictla Chadwick, Ihiyo Chadwick, Talyn Skye Bell and Dr. Debbie Danard Wilson. Limited mobility, vision and hearing assistance available, please email wabigun@yahoo.com with detailed request one week prior to event date.





Tuesday, March 22, 2022

Remembering past work for the future of water and life

Honoring the 14th year since we gathered for the 2008 Spring Equinox Women and Water Leadership Retreat.

Click here to view my reflection of a working weekend at the Mississippi Headwaters

These photos were taken by Mictla Chadwick from the computer camera at the Lake Itasca Biological Field Station. It was an extremely novel tech innovation at the time in 2008 which he identified, implemented and taught us how to use. All other pics by TChadwick.







The prep materials (I still have these files available for anyone who wants to receive a copy of them!):

Mino dibikoong, Ikwaydoog:
 
Gaygayte wayeeba gi gah dagoshinamin owidi wayji jiwan misabe zeebing... michi zeebing...?  Omah gahkawbeekong, oshkibagazeebing ayzhinidawdayg.
 
Thank you for registering for the Indigenous Womens Water Policy and Leadership Retreat!
 
Attached in this email, you will find:
 
  • A working agenda & What to bring
  • A series of maps to help you get there and find where we all will meet
  • A resource list of Water articles and activities that you can find on the internet *attached as footnote
  • A list of recommended readings
  • An extra copy of the flyer and registration form
 
Please go over these materials as soon as you can.  If any one is interested in receiving any of the recommended readings to look over ahead of time, let me know and I will email them to you.  Otherwise, we will have them available in hard copy and electronic format when we get there (I was hoping to send the whole file but it's 40 MB, too big for most email servers). 
 
It is going to be a wonderful weekend, I am really looking forward to all of us spending time together in focus on what we will do to protect and nurture our common water.
 
Gigawabamin wayeeba!
Bawshkeeng Wabigun.
c. (612) 600-8272


Background work a few years earlier:

Boozhoo, Ninduwaymawgunnidoog,

Omaw ni kwudge itoon duh ozhibeeigay bugee ayzhi anokii duh ganawendawn nibi.  Ni kwudge itoon duh nisidotawn wah ikidoon ni nookomisun meenawah nimishomisun.  Ni migwetchiwayndawn ayzhi midewijig gizawgeein ni mama akeeng. Mi ewe wah ni wi ikidoo noogoom.  Meegwetch bizinduhwee'eg.

 

Bawshkeeng Wabigun,

Wabiguneesun ga onji odawdiseeyawn, Ginew indodaym

Neezho mide indow.

 

 

Giganawendamin Nibi - We must all take care of the Water

 

In the Late Summer of 2005, Nugumoo Maingen (Sharon Day), Wabanew Quay (Dorene Day) and Bawshkeeng Wabigun (Tara Chadwick) attended a manidoons (insect - macroinvertebrate) training at the Leech Lake Water Lab.  Lab director John Purcell provided a brief introduction to macroinvertebrate sample analysis as a screening tool in water quality monitoring and how to adapt this screening method to a multi generational, community based audience.  A cultural training session was held at St. Paul's Como Lake with the help of Bedawsegay (Josephine Mandahmin), lead organizer of the Mother Earth Water Walk.

 

The project is designed to build the knowledge capacity of Native American women to test their own community waters, organize their families and communities to address any toxic or pollution problems, and become active in holding tribal, state and federal governments accountable to the environmental health of Native communities, including ensuring continued access to safe, clean water.

 

Collaborations have been formed with environmental and health organizations and projects such as the Minnesota Native American Council on Tobacco, the Chalchiutlicue Environmental Project, the Women’s Environmental Institute and the Indigenous Environmental Network.  These developing collaborations have provided considerable leverage to help raise awareness of the urgent need to take action in protection of and community ownership of water and water policy (as well as broader environmental causes and impacts) in a variety of distinct and interrelated cultural communities in Minnesota and internationally. 

 

Although organizing our own community and assessing community readiness to take on new (ancestral) levels of commitment and communal responsibility has proven a greater challenge than originally anticipated, the challenge has also revealed new possibilities for creatively overcoming barriers to community participation.  The most important lesson learned is that it is imperative to begin our organizing efforts with the people whom we collectively already know; and to build on this constituency through intentionally forming new relationships with people who have the potential to develop into leaders of the movement to empower Native American women to reclaim their ancestral responsibility as those who will ensure that clean water will be available and accessible for their children and grandchildren seven generations into the future.


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* list of e-resources


Articles –“Women are the First Environment” Cook, Katsi. 2003. In Indian Country

Today. December 23.http://www.indiancountry.com/content.cfm?id=1072203481

 

“Sense of Place and Place-Based Introductory Geoscience Teaching for

 American Indian and Alaskan Native Undergraduates”

http://semken.asu.edu/semken05_sop.pdf

 

Community-Based Drinking Water Quality Analysis

http://www.engg.ksu.edu/hsrc/international/ALOFinalReport.pdf

 

Highlights from Greg Cajete's Thesis - "Science: a Native American perspective: A

culturally based science education curriculum”

http://www.usask.ca/education/ccstu/guiding_documents/cajete_thesis.htm

 

Indigenous Environmental Network

http://www.ienearth.org/water_campaign.html

http://www.ienearth.org/15th_Indigenous_Environmental_Network_Flyer.pdf

 

Indigenous Peoples Statement to the UN

http://www.ienearth.org/water_ip_kyoto.pdf

 

Indigenous Women’s Mercury Investigation

http://www.nawo.org

 

Learn more about water online at

http://www.amnh.org/exhibitions/water/

 

Minnaqua Fishing Curriculum

http://www.dnr.state.mn.us/minnaqua/index.html

 

Sacred Lands Reader and more (Sacred Land Film Project)

http://www.sacredland.org/resources.html

 

Test your water knowledge quiz

www.knowh2o.org

 

U.S. Environmental Protection Agency. 2002. Fish Consumption and Environmental

Justice: A Report developed from the National Environmental Justice Advisory

Council Meeting of December 3-6, 2001

http://www.epa.gov/oecaerth/resources/publications/ej/nejac/fish-consump-report_1102.pdf

 

U.S. Geological Survey Water Calculator

http://ga.water.usgs.gov/edu/sq3.html

 

Water footprint calculator

http://www.waterfootprint.org


-------------------------

Water Policy and Indigenous Women’s Leadership Training 

Reading List

 

Bobo, Lawrence D. and Mia Tuan. 2006. Linking Prejudice and Politics. Prejudice in

Politics. Cambridge, MA: Harvard University Press, pp. 23-47.

 

Bullard, Robert D. Anatomy of Environmental Racism. 1993. In Richard Hofrichter (ed.) Toxic

Struggles: The Theory and Practice of Environmental Justice. Philadelphia, PA: New Society Publishers, pp. 25-35.

 

Cajete, Gregory. 2000. A Sense of Place. Native Science: Natural Laws if Interdependence.

Santa Fe, NM: Clear Light Publishers.

 

Glieck, Peter et al. The Human Right to Water: Two Steps forward, One Step Back. The World’s Water:

            2004-2005 Biennial Report on Freshwater Resources. Washington, DC: Island Press, pp. 204-

            212.

 

Glieck, Peter et al. Substantive Issues Arising in the Implementation of International Covenent on

            Economic, Social, & Cultural Rights. The World’s Water: 2004-2005 Biennial Report on

            Freshwater Resources. Washington, DC: Island Press, pp. 213-226.

 

Goldtooth, Tom B. K.  1995. Indigenous Nations:  Summary of Sovereignty and Its Implications for

Environmental Protection. In Bunyan Bryant (Ed.)  Environmental Justice: Issues, Policies and Solutions. Washington, D.C.:  Island Preess, pp.138-148.

 

Greaves, Thomas. 2001. Contextualizing the Environmental Struggle. In John A. Grim (Ed.), Indigenous

Traditions and Ecology: The Interbeing of Cosmology and Community. Cambridge, MA: Harvard University Press, pp. 25-46.

 

Hendee, John C. and Chad P. Dawson. Wilderness Management Planning. In Wilderness

 Management: Stewardship and Protection of Resources and Values (3rd Ed).

Golden, CO: Fulcrum Publishing, pp. 208-229.

 

LaDuke, Winona.  A Society Based on Conquest Cannot Be Sustained:  Native Peoples and the

            Environmental Crisis.  In Richard Hofrichter (ed.) Toxic Struggles: The Theory and Practice of

            Environmental Justice. Philadelphia, PA: New Society Publishers, pp. 99-106.

 

Pielou, E.C. 1998. The Water Cycle. In Fresh water. Chicago, IL: University of Chicago Press, pp. 5-37

 

Randolph, John. 2004. Collaborative Environmental Management and Public

Participation. Environmental Land Use Planning and Management. Washington:

Island Press, pp. 53-74.

 

 Schaeffer, Carol. 2006. Sacred Relations. Grandmothers Counsel the World:

Women Elders Offer Their Vision for Our Planet. Boston, MA: Trumpeter Books, pp. 145-160.

 

Shiva, Vandana. 2002. Water Rights: The State. The Market, The Community. Water Wars:

Privitization,Pollution, & Profit. Cambridge, MA: South End Press, pp. 19-37.

 

Shiva, Vandana. 2002. The Sacred Waters. Water Wars: Privitization, Pollution, &

            Profit. Cambridge, MA: South End Press, pp. 131-146.


Thursday, November 11, 2021

Golden Hour

Local artist joins global day of action against climate change.

Tired of the inaction, global arts initiative Micro Galleries held their second global day of creative action in response to one of the biggest threats of our generation. Occurring on to coincide with the United Nations Climate Change conference (COP26) in Glasgow this project will bring together artists from all over the world to tackle climate inaction head on.

The idea was born after Micro Galleries Artistic Director, Kat Roma Greer spent time researching in The Arctic and at Al Gore’s Climate Reality Leadership Corps in late 2018. Kat saw a need for more accessible information about how climate disruption and inaction was impacting the world's most vulnerable people. When Kat put the call out for artists to join her, Tara Chadwick answered the call.

This month and next, the effect of seasonal "king tides" is creating a climate disaster in the form of visible flooding and invisible salt water intrusion into our soil and water table along the banks of this river which have been used for thousands of years by humans seeking to live a good, healthy life. This river has been deemed unusable for human contact several times over the past three to five years due to chronic overdevelopment and problematic decision making on the part of those responsible for ensuring safe and effective infrastructure. We must, as citizens of Mother earth, intervene now to ensure that the trajectory of our species is altered to realign with the geometry of nature. – Tara Chadwick.

Tara Chadwick and Micro Galleries see the need for more accessible information about how climate disruption and inaction is impacting all of us, and art is a great way to do this. An opinion supported by Bill McKibben, best known as the leading American environmentalist’s and ‘world’s best green journalist’. When Bill heard about this global day of art action in 2019, he threw his support behind it stating, ‘environmentalists are good at bar graphs and statistical tables.. but that’s only half of the human brain. We also need art and music to reach our more visceral core. That’s why this initiative from Micro Galleries is so vital.’

Tara Chadwick’s works streamed live over 24 hours, and will be included in an online exhibition and catalogue at www.microgalleries.org

To find out how you can support this day of action and watch the art unfold, head to https://microgalleries.org/program

End

 

About The Artist

Tara is an Indigenous woman, a member of the African Diaspora, a grandchild of the Maya and Mesoamerican People of Belize, Mexico and Central America and of the original people of the land we now know as Western Europe. It is her vision that we can all return to a life of harmony with the cycles of nature.

You can see Tara’s latest work at The Missing Paart in Wynwood during Art Miami Week and in “Neo.Rev,” a city wide public art exhibition by Save Art Space from Nov. 22 to Dec. 18. Later this winter, Tara will be launching “Proyecto Papalotl,” engaging Golden Age Adults in the art of Mesoamerican Danza, made possible with support from the Broward County Cultural Division and sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture.

Updates and details at taraalomachadwick.blogspot.com or www.instagram.com/wabigun.

 

About Micro Galleries

Micro Galleries is a free, independent global arts initiative that uses art as a vehicle to create positive change. We do this through creative interventions in public spaces, workshops, art tours, symposiums, think tanks, and residencies.

www.microgalleries.org

www.facebook.com/microgalleries

www.instagram.com/microgalleries

 

Media contact details

Local:                   Tara Chadwick                 wabigun@yahoo.com

Global:                 Claudia Lee                       media@microgalleries.org


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Golden hour

Tara Chadwick

New River, Fort Lauderdale, Florida

 

This month and next, the effect of seasonal "king tides" is creating a climate disaster in the form of visible flooding and invisible salt water intrusion into our soil and water table along the banks of this river which have been used for thousands of years by humans seeking to live a good, healthy life. And this river has been deemed unusable for human contact several times over the past three to five years due to chronic overdevelopment and problematic decision making on the part of those responsible for ensuring safe and effective infrastructure. We must, as citizens of Mother earth, intervene now to ensure that the trajectory of our species is altered to realign with the geometry of nature.

“Golden Hour” seeks to support, stimulate and encourage action oriented solutions to the current climactic conditions including public awareness, personal responsibility and biological accountability. We put ourselves in to this mess. By examining what we do, individually, collectively and globally, we can get ourselves back on track with the original instructions all human beings received at the beginning of their time on earth. This message will be shared with the community on the historic banks of the New River in a public participative, interactive installation incorporating the interconnectedness of sound, movement, land, water, people and the concept of the golden repair on a local and global climate scale.

Multiple forms of art including sound, movement and visuals are used in collaboration with citizen science based sea level rise research, action and solutions.

We have a vast capacity to effect change especially due to our large proportion of global tourism. By creating this model of interactive public art, visitors and residents will be inspired to engage in work that questions the status quo and access new avenues of creative problems solving in areas of climate resilience, climate policy and climate change mitigation.

As I reflect on the various actions taking place today, and those we engaged in ourselves, it dawns on me that humans have a great capacity to make giant leaps in conscience and practice. At one time in our history, we learned how to harvest the power of the sun in an element we now call fire. At another time in our history, we learned how to coax a grass into a seed that now feeds the world! At this time, our challenge is much simpler and doable: restore our technology and daily living to practices that do not harm the earth.

 

November 6th, 2021

9:00 AM to 7:00 PM

 

The Beginning

FIU Sea Level Rise Solutions Day – Engaged in Citizen Science with the Institute of Environment at a location determined by the FIU research team to monitor urban flooding at King Tides

Upon arrival at 9:30 am on Saturday, November 6, 2021

 

The level of street flooding above storm drain at 10 am on Saturday, November 6, 2021


         

Refractometer reading indicates salinity is 10% in sample 1 from 10 am

 

 



Second samples were taken at the appointed time of 10:30 am on Saturday, November 6, 2021

Street flooding rose ¾ inch in 30 minutes.


One golden marine life was observed struggling to survive but still alive sending ripples of urgency

  


Salinity of the standing water above the storm drain increased by 2% in 30 minutes.


The photo on the right was taken by group member Ihiyo Chadwick (age 10).



By the time we left at 11 am the street flooding was up to four inches and still rising with an observed increase in oil mixed into the flood water.

 

The elevation of the surface of the sea water is well above the level of the roadway.

 

A little after 11 am, we packed up and drove the water samples to the FIU Campus at Oleta River and Biscayne Bay where they were refrigerated to preserve the viability for testing protocols. We are awaiting the lab results. On the way back, we stopped to observe a few other local residents engaged in their own creative contributions to the global day for climate repair

 

 

The Middle


The Bees’ tree with Golden Skirt Bridge


Me and Tree

 

https://www.instagram.com/p/CWFZhVbFOrS/

Moss (video)

Golden Orb Weaver


https://www.instagram.com/p/CWFZeqjvEwi/

Butterfly (video)


Concha



Canoeing

Then we returned to the New River to complete our documentation of the Golden Hour

https://www.instagram.com/p/CV_nZ5aJv7Q/

Water (video)

 

The End


Water and Golden Bridge

Restoration is a collaborative venture!


Tuesday, June 11, 2019

99 red poppies

On this 99th anniversary of the birth of my paternal grandmother, and in the absence of a digital record of her life, I will write her a memorial obituary, now that the fog of losing her have lifted a little, after fifteen years.

Annie Yvonne Iona Chadwick nee Hutchings
Born 1920 Quebec City
Died 2004 Scarborough


My grandmother was my best friend, mentor, confidante, supporter and provider of a special and unique type of unconditional love.  She was tough yet fragile, brilliant yet humble. She had a million stories yet she always prefered to draw out the stories of others rather than share her own. She was adamant that she did not want people looking at pictures of her after her death...   But her rockery was her landscape engineering pride and joy, so here is one of her checking in on the woman enjoying a moment on the slate slabs that appear to have been recently constructed... my best guess is that is likely Mrs. Hunter, from two doors down. Perhaps my dad will remember....



It is my grandmother who taught me to make time for walking, enjoying the wind and learning about the plants that surround us. She lit fires on the days that were darker, wetter or colder than the others. She took me to see ballets and operettas and she loved hearing classical music playing on her kitchen radio... the only form of media she consumed on a daily basis. My grandmother was so very careful about what she allowed into her body, and into her home. Once, she scolded me for bringing in items that were over packaged that resulted in doubling her weekly garbage output, which was one small plastic bag full. Everything else was either avoided at the source, or composted in the backyard bin. A lifelong member donor to Pollution Probe, my grandmother was equally careful about what we put back out into the environment from inside our home. Fires in the fire place were carefully monitored to ensure that plant based products only found their way up the chimney stack....

I hope as I continue my journey through adulthood, I can aquire some of the traits she had.... the balance between careful and carefree attitude, the service to community and an unwavering commitment to support life through her relationship with the earth and her community.

I love you... and miss you... and as your second great grandson reminds me... I know you are also always with us.... thank you for your service and love.



Tuesday, March 20, 2018

On Vernal Equinox 2018



13 years ago today I sat with my almost two-year-old son Mictla, under the stars of the Mesoamerican sky in one of the Plazas in the great city of Teotihuacan. We sat up all night by the fire watching the stars and listening to the ladies share stories, trying to keep warm, it was chilly up there in the hilly countryside of central Mexico. We danced at sunset and deep into the night. And at sunrise we got up and journeyed into the ancient city to the plaza at the base of a 5000 year old building now known as the temple of the moon.


There we prepared to meet tribal members of the great Hopi nation who had come running from their home territory to this ancient capital of Mesoamerica, bringing with them the memories that their grandparents held of a great connection that had been lost for over 500 years. A migration that had once occurred on a regular basis in order to account for the counting of time and to ensure that balance continues on our continent and among all our people.


Without any sleep and in the dry heat of the Sierra Madre mountains, it was very hard to dance that day. But it was a beautiful, epic moment. One of those moments that you know marks time for all of humanity. And so I just wanted to remember on this sunrise on the morning of March 20th, 2018. I  wanted to take a few moments to remember and reflect on this amazing event that took place 13 years ago. And to honor the beauty that that memory has for me and to do what I can to pass that on...

Ometeotl.


 Here's the link directly to this spot in the video :) we were watching the H2OPI Eagle dancers, then after, we shared our version of the Eagle dance.
https://youtu.be/aoEY8XYJUyY?t=3457

 Spring Equinox sunset at #MiramarPinelandPark 2018

And finally, a heartfelt thank you to everyone who has volunteered, shared, supported, fed and hired me this year. A special recognition to Broward Cultural Division, Puffin Foundation West, Inc. and the Broward Chapter of the United Nations Association for the support you all have provided this past year, without the encouragement, it would be difficult to get through the rough times!

Join me this Friday for a pop up celebration of #WorldWaterDay at #FTLhistory on the banks of the New River in downtown Fort Lauderdale.


A Summer of Reflections

It's been three months since the start of a new chapter in this journey, retracing my steps to the easternmost lake where I was born, to...