Showing posts with label #art. Show all posts
Showing posts with label #art. Show all posts

Friday, December 6, 2024

Art Basel Miami Beach 2024

It's been just over 20 long years since the art scene in South Florida bloomed from winter escapes of the roaring 20s and deco revival of the 80s to the blossoming of contemporary street art here since y2k. 

I remember writing a strongly worded letter to Mr. Horowitz about 10 years ago asking where the presence of Indigenous people appear within the flagship Art Basel Miami Beach enterprise, among well and lesser known Warhols, Baquiats and Calders. The written response was less than vauge, but the receipts over the past decade are undeniably in the bag. We had Edgar Heap of Birds leading one of the next year's Conversation programs. Followed by Jeffrey Gibson who, earlier this year, filled the USA Pavillion at La Biennale with Indigenous art, thought, perspective and music. We've seen Duane Linklater and Nicholas Galanin. Last year we got to see Jaune Quick-to-See Smith as well as Julia Buffalohead in the Meridians Sector. This year we have a return of galleries showing Rose B. Simpson, Wendy Red Star, william cordova, Paula Nicho and Nicholas Galanin.

And within this decade, we have also witnessed a few of the very first major aquisitions of Seminole/ Miccosukee contemporary art by  non-tribal institutions (Smithsonian NMAI: Erican Deitz, 2003 and Danielle Nelson, 2011; Lowe Museum: Erica Deitz, 2014; FSU: Erica Deitz, 2023; UF: Elgin Jumper, 2023; Ringling Museum: Jessica Osceola, 2024 and Brian Zepeda, 2024).

The Future is Indigenous as we all pick up the work of "retracing the steps of our ancestors to see what was left along the trail," (Edward Benton Banaise 1934-2020) and begin to put in motion our plans for a sustainable life style that does not harm the ecosystem in which we exist. 

Beyond Basel, we have the unparalled opportunity to interact with a temporary installation on 32nd and Collins between the sea shore and Faena Hotel just north of the Palms. 

SELETEGA by Nicholas Galanin is a not to be missed opportunity to experience the extraordinary viseral impact of encountering three foreign vessels approach one's home shores. 

It is a visual reflection of a personal historical account that has been retold among our families and communities for over five centuries yet feels as though it is still happening over and over again, even today. 

The impact of the scale and vibrant interactions of the mast and sails with the offshore breezes becons our genetic memories to recall the horrors of legallized genocide while beseeching us to wake up from the nightmare and take action to construct our plans and begin building a new day of peace, prosperity and respectful co-existance on our shared Mother the Earth. 


Tuesday, January 16, 2024

Art Everywhere Forever


It's always a happy blur recalling the fast passing time we affectionately call "the holidays," Thanksgiving, Art Basel, Hannukah,  Christmas, Kwanzaa, New Years, Three Kings, and finally Martin Luther King Day. 

This year, more memorable than most as we continue to navigate a rapidly changing social and physical environment. What is the work we all choose to contribute to our global wellbeing at this time? Healing, in all forms is so imporant. And truth. 

This year, for the first time since before the pandemic, I made it to three of South Florida's iconic #MiamiArtWeek fairs and at each I was surprised with the messages of remembrance and determination. At Art Basel, the piece I went looking for by Julie Buffalohead was even more brilliantly impactful than I had imagined with its bright blue background and creative cast of characters illustrating the ongoing creation of the universe. 
At Spectrum I was overjoyed to present my own debut alongside an incredible body of work on canvas created in a collaboration with rescued chimpanzees and the 1990s  teenage sensation B-52s.

At Art Miami my favorite piece was the life sized printing screens installed like giant dominoes in a sculpture garden. 


I also visited the Night Garden at Fairchild Tropical Garden for the first time, bringing a new understanding of nature immersion with lights cascading across dappled screens of trees, shrubs and flowers. 


Today, two new opportunities to engage with  Indigenous art and artists opens up. In Hollywood this week, the Tibetan Sacred Arts Tour makes a visit to Seminole Okalee Village across from Seminole Classic Casino to build a sand mandala for world peace while also sharing art and teachings from their monastic tradition. Sacred Arts Tour

Today in Winter Park, "Yaat Ya Oke: Welcome Travellers," a new exhibition featuring 27 Seminole artists opens at the Albin Polasek Museum & Sculpture Gardens. On through April 14, the exhibition includes contemporary works in acrylic, watercolor, digital art, glass beads, mixed media, natural fibers, found cardboard, photography and sculpture. Details, hours and directions

Next up: Water for Peace Day... 
Stay tuned!

Tara

Friday, October 20, 2023

International Archaeology Day 2023


This #InternationalDayOfArchaeology, we pause - once again - to remember and honour all the bright lights who have now ascended to help illuminate the night time sky. Some are currently seated at the community ofrenda, while others remain anonymously close to our hearts.

We rest, and grieve, and reflect and heal on the road to regaining our resolve and strength. 

📷 Nedahness Greene for #PapalotlProject

Thank you to all who are treading this path toward connection, community, and collaboration

The road is not always easy, however there is always time for friendships to be made. 

Bawshkeengwabigwun 🪻

Friday, August 11, 2023

Matriarch migration

For Immediate Release:

August 11, 2023, 
Fort Lauderdale, FL. 

Finally, after launching as a billboard during #ArtMiami/ Art Basel week followed by a year of prestigious gallery showings in London and Venice, the iconic original canvas print version of "Matriarch" has returned to South Florida. 

"Matriarch" framed photo paper print was first shown at Alliance for the Arts in Naples and now resides in the permanent collection of Akeesha Footman in Ontario, Canada. The canvas print was part of Anima Mundi, and now appears in the exhibition catalogue.

"Matriarch" was also exhibited in Palma de Mallorca, Spain last November, then returned as a large scale digital installation at Art Box Expo in Wynwood during Art Basel Miami.

Tara Chadwick is exhibiting two new  "Matriarch-inspired" works at the upcoming Swiss Art Expo in Zurich, including "Matriarch's Grandchild Speaks" which premiered this spring in Basel & NYC. The artists' reception in Zurich takes place at the main train station exhibit hall on September 9th. (Event tickets still available if anyone can or will be in Zurich that weekend!)



View recent works or email for enquiries at tara-chadwick.square.site

Monday, March 20, 2023

Post what you thought of the #PapalotlProject

This spring marks the one year anniversary of a pilot project to reach the youngest and oldest of our communities with opportunities to share knowledge through art, science, music and agriculture. 


#PapalotlProject at Miramar Community Services
by Adrienne Chadwick (c) 2022

If you are or have recently attended a #PapalotlProject event, please take a moment to help measure our impact with your insights on seven short questions. If you are already signed into gmail, click the link below to complete the form online. Remember to hit "submit" at the end. If not, click here to complete. If you have any issues or need an alternative format, call or text your email address to 786-671-8272. #PapalotlProject Qs no gmail required. You can also have a friend or family member complete the form with you by scanning this code with a smartphone camera then clicking on "open in browser."


Your feedback is important to us and will be incorporated as we plan for the future.

Thank you!!


Funding for this project is provided in part by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council. Sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture. Support has also been provided by the following funds at the Community Foundation of Broward: Helen and Frank Stoykov Charitable Endowment Fund, Louise and Rudi Dill Charitable Fund, Mary and Alex MacKenzie Community Impact Fund. 




Tuesday, December 13, 2022

Transitioning from Autumn to Winter with Tara A. Chadwick

From Autumn to Winter with Tara A. Chadwick

For immediate release

Tuesday, December 13, 2022

Fort Lauderdale, FL. 

The Fall season is always a busy time in Florida as it marks not only the start of the annual stretch of well loved winter holidays but also the beginning of the height of the arts, culture and tourism season here in the Sunshine State. After two years of precautious, arms length and virtual engagements due to pandemic health concerns, this autumn feels like it was the busiest on record. Coming out of a whirlwind world tour that started in Lee County last October and ended last week in Wynwood, visual and performance works of Tara A. Chadwick made stops in Hong Kong, Sydney, London, Zurich, Laguna Beach, Rome, Palma de Mallorca and the Milk of Dreams Venice Biennale along the way. Installation and performance work was manifested locally at Miami Beach Botanical Garden, Greenspace Miami, downtown Fort Lauderdale, Miramar and Everglades National Park. Collaborations are ongoing and developing. Follow and message me on instagram for invitations & inquiries!

Below are a few key highlights of the year in review:

  • Upcoming intergenerational enrichment experience exploring winter science & celebrations at Sunset Lakes Community Center next Wednesday, December 21st at 10:30-11:30 am.
  • Chono Thlee: Sparking a New Era in Seminole Art exhibition curated by Tara Chadwick on view through January 10th at History Fort Lauderdale.
  • Digital art (custom limited edition prints available) on view last week in Wynwood during the 20th anniversary of Art Basel Miami Beach in Tara A. Chadwick at Artbox Project Miami (virtual tour).
  • Papalotl (Butterfly) Project Social Innovation Fellow at Cogenerate.
Special thanks to Akeesha Nadjiwon Footman for being the first to add one of the limited edition Matriarch prints to her prestigious Canadian fine art collection. And to each and every one of you who keeps on supporting me through the many ideas, goals and the often intense work that goes into making those dreams become our reality. I am so thankful for YOU. Let's keep on building wider, stronger, smarter, together!

pic courtesy M. Chadwick

RSVP to wabigun@yahoo.com


See you on December 21st!

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Sunday, November 13, 2022

Digital works by Tara Chadwick featured in Wynwood this month during Miami Art Week

For immediate release:

After a strong year of global showings including LA, Rome, Venice, Zurich and London, artist and curator Tara Chadwick welcomes the return of "Matriarch" to its original digital format at the Artbox Expo Miami later this month. 

While navigating the social changes predicated by the COVID pandemic, Ms. Chadwick adapted her lifelong art and urban farming practice to focus on symbolic messaging, inspiring global audiences to take notice of and act on our need to repair our relationships with the earth and each other. Matriarch manifests our ability to take the time we need to observe, understand, grieve, heal, emerge, awaken and take flight toward our life purpose. In doing so we are better able to forgive, accept, make amends or reconcile discord and wounds of the past and present, and move into the future with strength, experience and dignity.

Matriarch along with "Chrysalis" and "Emergence" will be on view at 219 NW 23rd St, Miami, FL 33127, USA from November 28 through December 10th. The Art party/ reception is scheduled for 3-7 pm on Saturday, December 3rd. Tickets are required for entry and can be booked at: 


Each print is available for custom order in a limited edition of 25. 


Contact: 
wabigun@yahoo.com or 786-671-8272

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Friday, May 6, 2022

Venice Experimental Performance Reportage

May 6, 3022
Fort Lauderdale, FL

Amid the flurry of opening day at the long awaited Biennale de Venezia, Tara Chadwick, an Indigenous Belizean/ Canadian based in Broward County, Florida presented a short film honoring her lifelong artistic practice in dance and nature immersion. 


Still image from "Earth • Ecology • Everglades" courtesy Adrienne Chadwick

"Earth • Ecology • Everglades" grew out of a project to provide residents and visitors with a taste of the rhythms, sights, smells and sounds found in the intersection of humans and the natural environment. Funded in part by a grant from the Florida Department of State, Division of Arts and Culture and the Broward Cultural Division, Proyecto Papalotl has engaged communities across and beyond South Florida in interactive presentations since 2014. During the beginning of the COVID pandemic, alternate ways of connecting with community were explored including utilization of different forms of artistic expression: livestreaming, digital recording, audio, film and still  images. The short film is accompanied by a National Geograhic certified intergenerational lesson plan with the same title. More about last month's Venice Experimental Performing Arts Festival can be found at https://www.itsliquid.com/review-experimental-venice-2022.html 

[Image of Earth • Ecology • Everglades on view at Palazzo Bembo courtesy of Its Liquid Group]

Currently Tara Chadwick has two additional works on view in Venice, both of which expand on the theme of exploring the unfurling of our identity, purpose and responsibility as humans living in an Earth  ecosystem that we are rapidly changing. #Matriarch will open at Palazzo Albrizzi-Capello on Thursday, May 12 as part of "Anima Mundi CONSCIOUSNESS" and is also on view as a digital lightbox work at Spazio Tana / Tanarte, just across the canal from the Biennial's Arsenale through May 31. Limited edition prints available.


#Matriarch made her debut in Fort Myers last October, then hung as a public art billboard over 27th Avenue during Art Miami Week/ Art Basel from November through January.



Broward County residents and visitors can join Tara Chadwick for an interactive workshop in collaboration with the Miramar Community Garden on Saturday May 14th at 10 am. 


Sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture. Funding for this project is provided in part by the Broward County Board of County Commissioners as recommended by the Broward Cultural Council. Background mural courtesy of Valery Amor, Tara Chadwick, Mictla Chadwick, Ihiyo Chadwick, Talyn Skye Bell and Dr. Debbie Danard Wilson. Limited mobility, vision and hearing assistance available, please email wabigun@yahoo.com with detailed request one week prior to event date.





Tuesday, March 22, 2022

Remembering past work for the future of water and life

Honoring the 14th year since we gathered for the 2008 Spring Equinox Women and Water Leadership Retreat.

Click here to view my reflection of a working weekend at the Mississippi Headwaters

These photos were taken by Mictla Chadwick from the computer camera at the Lake Itasca Biological Field Station. It was an extremely novel tech innovation at the time in 2008 which he identified, implemented and taught us how to use. All other pics by TChadwick.







The prep materials (I still have these files available for anyone who wants to receive a copy of them!):

Mino dibikoong, Ikwaydoog:
 
Gaygayte wayeeba gi gah dagoshinamin owidi wayji jiwan misabe zeebing... michi zeebing...?  Omah gahkawbeekong, oshkibagazeebing ayzhinidawdayg.
 
Thank you for registering for the Indigenous Womens Water Policy and Leadership Retreat!
 
Attached in this email, you will find:
 
  • A working agenda & What to bring
  • A series of maps to help you get there and find where we all will meet
  • A resource list of Water articles and activities that you can find on the internet *attached as footnote
  • A list of recommended readings
  • An extra copy of the flyer and registration form
 
Please go over these materials as soon as you can.  If any one is interested in receiving any of the recommended readings to look over ahead of time, let me know and I will email them to you.  Otherwise, we will have them available in hard copy and electronic format when we get there (I was hoping to send the whole file but it's 40 MB, too big for most email servers). 
 
It is going to be a wonderful weekend, I am really looking forward to all of us spending time together in focus on what we will do to protect and nurture our common water.
 
Gigawabamin wayeeba!
Bawshkeeng Wabigun.
c. (612) 600-8272


Background work a few years earlier:

Boozhoo, Ninduwaymawgunnidoog,

Omaw ni kwudge itoon duh ozhibeeigay bugee ayzhi anokii duh ganawendawn nibi.  Ni kwudge itoon duh nisidotawn wah ikidoon ni nookomisun meenawah nimishomisun.  Ni migwetchiwayndawn ayzhi midewijig gizawgeein ni mama akeeng. Mi ewe wah ni wi ikidoo noogoom.  Meegwetch bizinduhwee'eg.

 

Bawshkeeng Wabigun,

Wabiguneesun ga onji odawdiseeyawn, Ginew indodaym

Neezho mide indow.

 

 

Giganawendamin Nibi - We must all take care of the Water

 

In the Late Summer of 2005, Nugumoo Maingen (Sharon Day), Wabanew Quay (Dorene Day) and Bawshkeeng Wabigun (Tara Chadwick) attended a manidoons (insect - macroinvertebrate) training at the Leech Lake Water Lab.  Lab director John Purcell provided a brief introduction to macroinvertebrate sample analysis as a screening tool in water quality monitoring and how to adapt this screening method to a multi generational, community based audience.  A cultural training session was held at St. Paul's Como Lake with the help of Bedawsegay (Josephine Mandahmin), lead organizer of the Mother Earth Water Walk.

 

The project is designed to build the knowledge capacity of Native American women to test their own community waters, organize their families and communities to address any toxic or pollution problems, and become active in holding tribal, state and federal governments accountable to the environmental health of Native communities, including ensuring continued access to safe, clean water.

 

Collaborations have been formed with environmental and health organizations and projects such as the Minnesota Native American Council on Tobacco, the Chalchiutlicue Environmental Project, the Women’s Environmental Institute and the Indigenous Environmental Network.  These developing collaborations have provided considerable leverage to help raise awareness of the urgent need to take action in protection of and community ownership of water and water policy (as well as broader environmental causes and impacts) in a variety of distinct and interrelated cultural communities in Minnesota and internationally. 

 

Although organizing our own community and assessing community readiness to take on new (ancestral) levels of commitment and communal responsibility has proven a greater challenge than originally anticipated, the challenge has also revealed new possibilities for creatively overcoming barriers to community participation.  The most important lesson learned is that it is imperative to begin our organizing efforts with the people whom we collectively already know; and to build on this constituency through intentionally forming new relationships with people who have the potential to develop into leaders of the movement to empower Native American women to reclaim their ancestral responsibility as those who will ensure that clean water will be available and accessible for their children and grandchildren seven generations into the future.


--------------------------------------------------------

* list of e-resources


Articles –“Women are the First Environment” Cook, Katsi. 2003. In Indian Country

Today. December 23.http://www.indiancountry.com/content.cfm?id=1072203481

 

“Sense of Place and Place-Based Introductory Geoscience Teaching for

 American Indian and Alaskan Native Undergraduates”

http://semken.asu.edu/semken05_sop.pdf

 

Community-Based Drinking Water Quality Analysis

http://www.engg.ksu.edu/hsrc/international/ALOFinalReport.pdf

 

Highlights from Greg Cajete's Thesis - "Science: a Native American perspective: A

culturally based science education curriculum”

http://www.usask.ca/education/ccstu/guiding_documents/cajete_thesis.htm

 

Indigenous Environmental Network

http://www.ienearth.org/water_campaign.html

http://www.ienearth.org/15th_Indigenous_Environmental_Network_Flyer.pdf

 

Indigenous Peoples Statement to the UN

http://www.ienearth.org/water_ip_kyoto.pdf

 

Indigenous Women’s Mercury Investigation

http://www.nawo.org

 

Learn more about water online at

http://www.amnh.org/exhibitions/water/

 

Minnaqua Fishing Curriculum

http://www.dnr.state.mn.us/minnaqua/index.html

 

Sacred Lands Reader and more (Sacred Land Film Project)

http://www.sacredland.org/resources.html

 

Test your water knowledge quiz

www.knowh2o.org

 

U.S. Environmental Protection Agency. 2002. Fish Consumption and Environmental

Justice: A Report developed from the National Environmental Justice Advisory

Council Meeting of December 3-6, 2001

http://www.epa.gov/oecaerth/resources/publications/ej/nejac/fish-consump-report_1102.pdf

 

U.S. Geological Survey Water Calculator

http://ga.water.usgs.gov/edu/sq3.html

 

Water footprint calculator

http://www.waterfootprint.org


-------------------------

Water Policy and Indigenous Women’s Leadership Training 

Reading List

 

Bobo, Lawrence D. and Mia Tuan. 2006. Linking Prejudice and Politics. Prejudice in

Politics. Cambridge, MA: Harvard University Press, pp. 23-47.

 

Bullard, Robert D. Anatomy of Environmental Racism. 1993. In Richard Hofrichter (ed.) Toxic

Struggles: The Theory and Practice of Environmental Justice. Philadelphia, PA: New Society Publishers, pp. 25-35.

 

Cajete, Gregory. 2000. A Sense of Place. Native Science: Natural Laws if Interdependence.

Santa Fe, NM: Clear Light Publishers.

 

Glieck, Peter et al. The Human Right to Water: Two Steps forward, One Step Back. The World’s Water:

            2004-2005 Biennial Report on Freshwater Resources. Washington, DC: Island Press, pp. 204-

            212.

 

Glieck, Peter et al. Substantive Issues Arising in the Implementation of International Covenent on

            Economic, Social, & Cultural Rights. The World’s Water: 2004-2005 Biennial Report on

            Freshwater Resources. Washington, DC: Island Press, pp. 213-226.

 

Goldtooth, Tom B. K.  1995. Indigenous Nations:  Summary of Sovereignty and Its Implications for

Environmental Protection. In Bunyan Bryant (Ed.)  Environmental Justice: Issues, Policies and Solutions. Washington, D.C.:  Island Preess, pp.138-148.

 

Greaves, Thomas. 2001. Contextualizing the Environmental Struggle. In John A. Grim (Ed.), Indigenous

Traditions and Ecology: The Interbeing of Cosmology and Community. Cambridge, MA: Harvard University Press, pp. 25-46.

 

Hendee, John C. and Chad P. Dawson. Wilderness Management Planning. In Wilderness

 Management: Stewardship and Protection of Resources and Values (3rd Ed).

Golden, CO: Fulcrum Publishing, pp. 208-229.

 

LaDuke, Winona.  A Society Based on Conquest Cannot Be Sustained:  Native Peoples and the

            Environmental Crisis.  In Richard Hofrichter (ed.) Toxic Struggles: The Theory and Practice of

            Environmental Justice. Philadelphia, PA: New Society Publishers, pp. 99-106.

 

Pielou, E.C. 1998. The Water Cycle. In Fresh water. Chicago, IL: University of Chicago Press, pp. 5-37

 

Randolph, John. 2004. Collaborative Environmental Management and Public

Participation. Environmental Land Use Planning and Management. Washington:

Island Press, pp. 53-74.

 

 Schaeffer, Carol. 2006. Sacred Relations. Grandmothers Counsel the World:

Women Elders Offer Their Vision for Our Planet. Boston, MA: Trumpeter Books, pp. 145-160.

 

Shiva, Vandana. 2002. Water Rights: The State. The Market, The Community. Water Wars:

Privitization,Pollution, & Profit. Cambridge, MA: South End Press, pp. 19-37.

 

Shiva, Vandana. 2002. The Sacred Waters. Water Wars: Privitization, Pollution, &

            Profit. Cambridge, MA: South End Press, pp. 131-146.


Thursday, November 11, 2021

Golden Hour

Local artist joins global day of action against climate change.

Tired of the inaction, global arts initiative Micro Galleries held their second global day of creative action in response to one of the biggest threats of our generation. Occurring on to coincide with the United Nations Climate Change conference (COP26) in Glasgow this project will bring together artists from all over the world to tackle climate inaction head on.

The idea was born after Micro Galleries Artistic Director, Kat Roma Greer spent time researching in The Arctic and at Al Gore’s Climate Reality Leadership Corps in late 2018. Kat saw a need for more accessible information about how climate disruption and inaction was impacting the world's most vulnerable people. When Kat put the call out for artists to join her, Tara Chadwick answered the call.

This month and next, the effect of seasonal "king tides" is creating a climate disaster in the form of visible flooding and invisible salt water intrusion into our soil and water table along the banks of this river which have been used for thousands of years by humans seeking to live a good, healthy life. This river has been deemed unusable for human contact several times over the past three to five years due to chronic overdevelopment and problematic decision making on the part of those responsible for ensuring safe and effective infrastructure. We must, as citizens of Mother earth, intervene now to ensure that the trajectory of our species is altered to realign with the geometry of nature. – Tara Chadwick.

Tara Chadwick and Micro Galleries see the need for more accessible information about how climate disruption and inaction is impacting all of us, and art is a great way to do this. An opinion supported by Bill McKibben, best known as the leading American environmentalist’s and ‘world’s best green journalist’. When Bill heard about this global day of art action in 2019, he threw his support behind it stating, ‘environmentalists are good at bar graphs and statistical tables.. but that’s only half of the human brain. We also need art and music to reach our more visceral core. That’s why this initiative from Micro Galleries is so vital.’

Tara Chadwick’s works streamed live over 24 hours, and will be included in an online exhibition and catalogue at www.microgalleries.org

To find out how you can support this day of action and watch the art unfold, head to https://microgalleries.org/program

End

 

About The Artist

Tara is an Indigenous woman, a member of the African Diaspora, a grandchild of the Maya and Mesoamerican People of Belize, Mexico and Central America and of the original people of the land we now know as Western Europe. It is her vision that we can all return to a life of harmony with the cycles of nature.

You can see Tara’s latest work at The Missing Paart in Wynwood during Art Miami Week and in “Neo.Rev,” a city wide public art exhibition by Save Art Space from Nov. 22 to Dec. 18. Later this winter, Tara will be launching “Proyecto Papalotl,” engaging Golden Age Adults in the art of Mesoamerican Danza, made possible with support from the Broward County Cultural Division and sponsored in part by the State of Florida, Department of State, Division of Arts and Culture and the Florida Council on Arts and Culture.

Updates and details at taraalomachadwick.blogspot.com or www.instagram.com/wabigun.

 

About Micro Galleries

Micro Galleries is a free, independent global arts initiative that uses art as a vehicle to create positive change. We do this through creative interventions in public spaces, workshops, art tours, symposiums, think tanks, and residencies.

www.microgalleries.org

www.facebook.com/microgalleries

www.instagram.com/microgalleries

 

Media contact details

Local:                   Tara Chadwick                 wabigun@yahoo.com

Global:                 Claudia Lee                       media@microgalleries.org


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Golden hour

Tara Chadwick

New River, Fort Lauderdale, Florida

 

This month and next, the effect of seasonal "king tides" is creating a climate disaster in the form of visible flooding and invisible salt water intrusion into our soil and water table along the banks of this river which have been used for thousands of years by humans seeking to live a good, healthy life. And this river has been deemed unusable for human contact several times over the past three to five years due to chronic overdevelopment and problematic decision making on the part of those responsible for ensuring safe and effective infrastructure. We must, as citizens of Mother earth, intervene now to ensure that the trajectory of our species is altered to realign with the geometry of nature.

“Golden Hour” seeks to support, stimulate and encourage action oriented solutions to the current climactic conditions including public awareness, personal responsibility and biological accountability. We put ourselves in to this mess. By examining what we do, individually, collectively and globally, we can get ourselves back on track with the original instructions all human beings received at the beginning of their time on earth. This message will be shared with the community on the historic banks of the New River in a public participative, interactive installation incorporating the interconnectedness of sound, movement, land, water, people and the concept of the golden repair on a local and global climate scale.

Multiple forms of art including sound, movement and visuals are used in collaboration with citizen science based sea level rise research, action and solutions.

We have a vast capacity to effect change especially due to our large proportion of global tourism. By creating this model of interactive public art, visitors and residents will be inspired to engage in work that questions the status quo and access new avenues of creative problems solving in areas of climate resilience, climate policy and climate change mitigation.

As I reflect on the various actions taking place today, and those we engaged in ourselves, it dawns on me that humans have a great capacity to make giant leaps in conscience and practice. At one time in our history, we learned how to harvest the power of the sun in an element we now call fire. At another time in our history, we learned how to coax a grass into a seed that now feeds the world! At this time, our challenge is much simpler and doable: restore our technology and daily living to practices that do not harm the earth.

 

November 6th, 2021

9:00 AM to 7:00 PM

 

The Beginning

FIU Sea Level Rise Solutions Day – Engaged in Citizen Science with the Institute of Environment at a location determined by the FIU research team to monitor urban flooding at King Tides

Upon arrival at 9:30 am on Saturday, November 6, 2021

 

The level of street flooding above storm drain at 10 am on Saturday, November 6, 2021


         

Refractometer reading indicates salinity is 10% in sample 1 from 10 am

 

 



Second samples were taken at the appointed time of 10:30 am on Saturday, November 6, 2021

Street flooding rose ¾ inch in 30 minutes.


One golden marine life was observed struggling to survive but still alive sending ripples of urgency

  


Salinity of the standing water above the storm drain increased by 2% in 30 minutes.


The photo on the right was taken by group member Ihiyo Chadwick (age 10).



By the time we left at 11 am the street flooding was up to four inches and still rising with an observed increase in oil mixed into the flood water.

 

The elevation of the surface of the sea water is well above the level of the roadway.

 

A little after 11 am, we packed up and drove the water samples to the FIU Campus at Oleta River and Biscayne Bay where they were refrigerated to preserve the viability for testing protocols. We are awaiting the lab results. On the way back, we stopped to observe a few other local residents engaged in their own creative contributions to the global day for climate repair

 

 

The Middle


The Bees’ tree with Golden Skirt Bridge


Me and Tree

 

https://www.instagram.com/p/CWFZhVbFOrS/

Moss (video)

Golden Orb Weaver


https://www.instagram.com/p/CWFZeqjvEwi/

Butterfly (video)


Concha



Canoeing

Then we returned to the New River to complete our documentation of the Golden Hour

https://www.instagram.com/p/CV_nZ5aJv7Q/

Water (video)

 

The End


Water and Golden Bridge

Restoration is a collaborative venture!


A Summer of Reflections

It's been three months since the start of a new chapter in this journey, retracing my steps to the easternmost lake where I was born, to...